Realizing Resistance Episode II: Uncharted Galaxies


Recordings of all sessions are available in our Illinois MediaSpace playlist.

Keynote: Rebecca Harrison

Rebecca Harrison

Rebecca Harrison (she/her/hers) is a feminist academic and culture writer based in Scotland. Harrison’s current work explores the Star Wars franchise and includes the 2020 BFI Film Classic The Empire Strikes Back, as well as articles in LA Review of Books, The Mary Sue, and Sight & Sound, among others.

Star Cistems Will Slip through Your Fingers: Glitches, Malfunctions and Errors as Modes of Queer Resistance in Star Wars

Engines stall. Star systems disappear from archives. Hyperspace stretches time and space until it fragments the galaxy into a fleeting, infinite sea of patterned stars. Throughout the Star Wars universe (including its films, games and theme park apps), glitches, which draw attention to a system’s limitations, both disrupt and underpin the franchise from production through to audience engagement. Sometimes caused by human errors in programming – such as a character falling upward from a cliff face in Jedi: Fallen Order – and sometimes written into narrative arcs that generate feedback loops through callbacks and in-jokes – glitches are fundamental to the Star Wars aesthetic. Nevertheless, the franchise’s glitchiness often meets with (not unwarranted) criticism from journalists and audiences: bugs in video games distract from player interpellation and narrative repetition in films suggests a lack of originality.

But what if the glitches, errors and malfunctions in Star Wars offered us an alternative means of reading the saga? What if deviations from logical trajectories of time and space unwittingly disrupted the cisheternormative status quo of a franchise that has, for decades, refused LGBTQ+ representation? What if glitches in the Star Wars universe served as a mode of queer resistance both on, and off, the screen?

Drawing on queer theories of time and space (Ahmed, 2006; Halberstam, 2005) and centering trans media histories that explore the concepts and materialities of glitches in visual culture (Russell, 2020; Pow, 2021), this presentation begins to think about Star Wars through queer and computational lenses. In doing so, I’ll discuss official Star Wars media, as well as unofficial and fan-made glitch art, and tentatively consider the glitchy remastering of the original trilogy films as resistant to patriarchal notions of authenticity. Sharing my first thoughts on a new area of ongoing research, the presentation will also invite the audience to participate in conversations about methodology and identity, the limits of reading against the grain, and the potential for queer perspectives on and in Star Wars.


We invite organizations and institutions to sponsor Realizing Resistance Episode II. A $250 sponsorship will add your branding to this page, include coordinated social media announcements, and your branding during the virtual event. Sponsors can share a video or other personal message to be played during the event. To purchase a sponsorship, visit our Square Store, or contact for additional information.

Collaborating Institutions

  • The University Library of the University of Illinois at Urbana-Champaign
  • The University of North Texas Libraries
  • The Department of Rhetoric and the Program for Critical Theory at the University of California Berkeley
  • The Departments of English and Environmental Studies at Aurora University
  • The Department of Communication & Media Studies at SUNY Cortland

Organizing Committee

Bridgitte Barclay, Aurora University
Spencer D. C. Keralis, University of Illinois at Urbana-Champaign
Christina Knopf, SUNY Cortland
Samantha Langsdale, University of California Berkeley
John Edward Martin, University of North Texas


Follow @RealizeResist on Twitter for updates and conversations. Contact with inquiries.

Call for Proposals

With the end of the Skywalker era of the Star Wars saga, and the emergence of spin-offs like The Mandalorian, Resistance, and Rebels, aca-fans from all disciplines have an opportunity to engage with nearly half a century of Star Wars media. As with our previous event, this conference aims to bring together scholars from across disciplines to examine Star Wars media as cultural texts. We invite scholarly and creative interventions with an explicit focus on themes of resistance and justice. How do these these films and other media objects contribute to, reflect on, or depart from broader contemporary cultural practices and social discourses?

Since 2019, both the political and media worlds have experienced dramatic shifts and disruptions, including the COVID-19 pandemic, the Black Lives Matter movement, a contentious U.S. presidential election, and an increasing sense of the vulnerability of democratic institutions and processes. Star Wars, as a cultural phenomenon, has also been embroiled in controversies and transitions, from reactions to The Rise of Skywalker and The Mandalorian to the emergence of Disney+ as a principle platform for the continuation of the Star Wars legacy. Star Wars has penetrated into the culture in surprising ways including martial arts classes offering lightsaber training, political protests that feature Star Wars iconography, the co-opting of the Empire and First Order by the alt-right, among many others. We encourage presentations that reflect on these contexts to offer new perspectives and innovative methodological and disciplinary approaches to Star Wars scholarship. 

Digital Frontiers invites proposals of individual papers, panels, academic posters and infographics, media objects (critical making, comics, video, Twine, or performance), and methodology or other workshops. Topics may include but are by no means limited to:

  • Expanding the Star Wars universe: where do we go from here?
  • Genres far, far away: Star Wars as western, war story, dystopian fiction, caper movie, romance, etc. 
  • The Transmedia Star Wars: memes, video games, board games, RPGs, etc.
  • Fan cultures and participatory practices.
  • Star Wars Style: costume and fashion in the Star Wars universe.
  • Animation as an artform and cultural object.
  • Comics and animated series as canon
  • The material culture of Star Wars: toys, branding, and collectibles
  • Star Wars DH: computational and quantitative approaches to Star Wars scholarship
  • Ahsoka Tano, Rey, Ventress, and other Women Warriors
  • Queering Star Wars
  • The Fall of Skywalker
  • Deus ex Exegol: narrative studies and Star Wars
  • The Star Wars Family: Malignant paternity, missing moms, toxic relationships
  • “Much to learn, you still have.” Star Wars and Pedagogy
  • Pop culture precursors
  • Getting over “The Hero’s Journey”
  • Monsters of Star Wars

Submit 250-word abstracts via this Google Form no later than midnight Central Time (US) on February 28, 2021.

All submissions will undergo transparent peer review. All participants will have the opportunity to publish their work in the RRII Proceedings in Unbound: A Journal of Digital Scholarship. Every effort will be made to accommodate international and early career and student scholars to facilitate their participation. All interactions are governed by the Digital Frontiers Statement of Inclusion and Accessibility.

This virtual conference will take place May 4-7, 2021.  Registration will be Pay-What-You’re-Able with a recommended contribution of $50. Registration opens March 13, 2021.

Important Dates:

Submission Deadline: February 20, 2021
Notifications & Registration Opens: March 13, 2021
Conference: May 4-7, 2021

Coming May 4-7, 2021: Realizing Resistance Episode II